|
User
Supported
|
①①① |
①①!① |
①!①① |
①!①!① |
①①② |
①①!② |
①!①② |
①!①!② |
①①③ |
①!①③ |
①①④ |
①①!④ |
|
|
①!①④ |
①!①!④ |
①②① |
①②!① |
①!②① |
①!②!① |
①②② |
①②!② |
①!②② |
①!②!② |
①②③ |
①!②③ |
|
|
①②④ |
①②!④ |
①!②④ |
①!②!④ |
①③① |
①③!① |
①③② |
①③!② |
①③③ |
①③④ |
①③!④ |
①④① |
|
|
①④!① |
①!④① |
①!④!① |
①④② |
①④!② |
①!④② |
①!④!② |
①④③ |
①④④ |
①④!④ |
①!④④ |
①!④!④ |
|
|
!①①① |
!①①!① |
!①!①① |
!①!①!① |
!①①② |
!①①!② |
!①!①② |
!①!①!② |
!①①③ |
!①!①③ |
!①①④ |
!①①!④ |
|
|
!①!①④ |
!①!①!④ |
!①②① |
!①②!① |
!①!②① |
!①!②!① |
!①②② |
!①②!② |
!①!②② |
!①!②!② |
!①②③ |
!①!②③ |
|
|
!①②④ |
!①②!④ |
!①!②④ |
!①!②!④ |
!①③① |
!①③!① |
!①③② |
!①③!② |
!①③③ |
!①③④ |
!①③!④ |
!①④① |
|
|
!①④!① |
!①!④① |
!①!④!① |
!①④② |
!①④!② |
!①!④② |
!①!④!② |
!①④③ |
!①④④ |
!①④!④ |
!①!④④ |
!①!④!④ |
|
|
②①① |
②①!① |
②!①① |
②!①!① |
②①② |
②!①② |
②①!② |
②!①!② |
②①③ |
②!①③ |
②①④ |
②!①④ |
|
|
②①!④ |
②!①!④ |
②②① |
②②!① |
②!②① |
②!②!① |
②②② |
②②!② |
②!②② |
②!②!② |
②②③ |
②!②③ |
|
|
②②④ |
②②!④ |
②!②④ |
②!②!④ |
②③① |
②③!① |
②③② |
②③!② |
②③③ |
②③④ |
②③!④ |
②④① |
|
|
②④!① |
②!④① |
②!④!① |
②④② |
②④!② |
②!④② |
②!④!② |
②④③ |
②④④ |
②④!④ |
②!④④ |
②!④!④ |
|
|
!②①① |
!②①!① |
!②!①① |
!②!①!① |
!②①② |
!②!①② |
!②①!② |
!②!①!② |
!②①③ |
!②!①③ |
!②①④ |
!②!①④ |
|
|
!②①!④ |
!②!①!④ |
!②②① |
!②②!① |
!②!②① |
!②!②!① |
!②②② |
!②②!② |
!②!②② |
!②!②!② |
!②②③ |
!②!②③ |
|
|
!②②④ |
!②②!④ |
!②!②④ |
!②!②!④ |
!②③① |
!②③!① |
!②③② |
!②③!② |
!②③③ |
!②③④ |
!②③!④ |
!②④① |
|
|
!②④!① |
!②!④① |
!②!④!① |
!②④② |
!②④!② |
!②!④② |
!②!④!② |
!②④③ |
!②④④ |
!②④!④ |
!②!④④ |
!②!④!④ |
|
|
③①① |
③①!① |
③!①① |
③!①!① |
③①② |
③!①② |
③①!② |
③!①!② |
③①③ |
③!①③ |
③①④ |
③!①④ |
|
|
③①!④ |
③!①!④ |
③②① |
③②!① |
③!②!① |
③!②① |
③②② |
③②!② |
③!②② |
③!②!② |
③②③ |
③!②③ |
|
|
③②④ |
③②!④ |
③!②④ |
③!②!④ |
③③① |
③③!① |
③③② |
③③!② |
③③③ |
③③④ |
③③!④ |
③④① |
|
|
③④!① |
③!④① |
③!④!① |
③④② |
③④!② |
③!④② |
③!④!② |
③④③ |
③④④ |
③④!④ |
③!④④ |
③!④!④ |
|
|
④①① |
④①!① |
④!①① |
④!①!① |
④①② |
④!①② |
④①!② |
④!①!② |
④①③ |
④!①③ |
④①④ |
④!①④ |
|
|
④①!④ |
④!①!④ |
④②① |
④②!① |
④!②① |
④!②!① |
④②② |
④②!② |
④!②② |
④!②!② |
④②③ |
④!②③ |
|
|
④②④ |
④②!④ |
④!②④ |
④!②!④ |
④③!① |
④③① |
④③② |
④③!② |
④③③ |
④③④ |
④③!④ |
④④① |
|
|
④④!① |
④!④① |
④!
④!① |
④④② |
④④!② |
④!④② |
④!④!② |
④④③ |
④④④ |
④④!④ |
④!④④ |
④!④!④ |
|
|
!④①① |
!④①!① |
!④!①① |
!④!①!① |
!④①② |
!④!①② |
!④①!② |
!④!①!② |
!④①③ |
!④!①③ |
!④①④ |
!④!①④ |
|
|
!④①!④ |
!④!①!④ |
!④②① |
!④②!① |
!④!②① |
!④!②!① |
!④②② |
!④②!② |
!④!②② |
!④!②!② |
!④②③ |
!④!②③ |
|
|
!④②④ |
!④②!④ |
!④!②④ |
!④!②!④ |
!④③!① |
!④③① |
!④③② |
!④③!② |
!④③③ |
!④③④ |
!④③!④ |
!④④① |
|
|
!④④!① |
!④!④① |
!④!
!④!① |
!④④② |
!④④!② |
!④!④② |
!④!④!② |
!④④③ |
!④④④ |
!④④!④ |
!④!④④ |
!④!④!④ |
|
|
This exercise explores all
possible finger and string patterns for arpeggios in a single position.
Before beginning this
challenging exercise, familiarize yourself with the excesses
Finger Murder and Pick Madness.
The first two parts are
review and the new material referencing the large table begins in Part 3 below.
ReviewString Mayhem is the Finger Murder Part 3 exercise taken to extreme. First, review that exercise.
Play patterns on alternating
strings (“12” = ① on second string then ② on first string).
! !
! ! ! !
finger 11 22 33 44 12 34 23 24 13 34 12 14 14 43
21 32 31 42 21 43 41 41
e-------5--6--7--8--6--8--7--8--7--9--7--8--9--7--5--6--5--6--4--7--5--4
b------5--6--7--8--5--7--6--6--5--7--5--5--5--8--6--7--7--8--6--9--8--8
Then, reverse strings. (“12” =
① on first string then ② on second string).
! !
! ! ! !
finger 11 22 33 44 12 34 23 24 13 34 12 14 14 43
21 32 31 42 21 43 41 41
e------5--6--7--8--5--7--6--6--5--7--5--5--5--8--6--7--7--8--6--9--8--8
b-------5--6--7--8--6--8--7--8--7--9--7--8--9--7--5--6--5--6--4--7--6--4
Repeat for all two-string
combinations, including multiple string skips, in all positions. Strings:
1st2nd|1st3 rd|1st4th|1st5 th|1st6th|2nd3rd|2nd4th|2nd5th|2nd6th|3rd4 th|3rd5th|3rd 6th|4th5th|4th6th|5th6th
Play Part 1 patterns on
alternating strings (“12” = ① on second string then ② on first string).
! !
! ! ! !
finger 11 22 33 44 12 34 23 24 13 34 12 14 14 43
21 32 31 42 21 43 41 41
e-------5--6--7--8--6--8--7--8--7--9--7--8--9--7--5--6--5--6--4--7--5--4
b------5--6--7--8--5--7--6--6--5--7--5--5--5--8--6--7--7--8--6--9--8--8
Then, reverse strings. (“12” =
① on first string then ② on second string).
! !
! ! ! !
finger 11 22 33 44 12 34 23 24 13 34 12 14 14 43
21 32 31 42 21 43 41 41
e------5--6--7--8--5--7--6--6--5--7--5--5--5--8--6--7--7--8--6--9--8--8
b-------5--6--7--8--6--8--7--8--7--9--7--8--9--7--5--6--5--6--4--7--6--4
Repeat for all two-string
combinations, including multiple string skips, in all positions. Strings:
1st2nd|1st3 rd|1st4th|1st5 th|1st6th|2nd3rd|2nd4th|2nd5th|2nd6th|3rd4 th|3rd5th|3rd 6th|4th5th|4th6th|5th6th
Part 1. Revisit Finger Murder Part 1
This preparatory section is a reordering of Finger Murder Part 1 with
some additions.
Circled numbers indicate
finger numbers, not fret numbers
“!” indicates a stretch-skip
a fret.
Starting in 5th position, play with fingers in the circles on the following frets:
!① 4th fret ① 5th fret ② 6th fret !② 7th fret ③
7th fret ④ 8th fret !④ 9th fret
①① ①!① ①② ①!② ①③ ①④ ①!④ !①① !①!① !①② !①!② !①③ !①④ !①!④②① ②!① ②② ②!② ②③ ②④ ②!④
e-5-5-5-4--5-6--5-7-5-7--5-8-5-9--4-5--4-4---4-6--4-7--4-7--4-8--4-9-6-5--6-4--6-6—6-7--6-7-6-8--6-9
③① ③!① ③② ③!② ③③ ③④ ③!④ ④① ④!① ④② ④!② ④③ ④④ ④!④ !④① !④!① !④② !④!② !④③ !④④ !④!④
e-7-5-7-4--7-6--7-7-7-7--7-8-7-9--8-5--8-4-8-6--8-7--8-7-8-8-8-9---9-5--9-4--9-6--9-7--9-7--9-8--9-9
The
③!② combination puts the second and third fingers on the same fret.
Some
patterns such as ①!① put the same finger
twice in a row on different frets.
Begin with a | down, up | picking pattern.
Then, switch to | up, down | down, down | up, up |.
Use a metronome and start very slowly.
Slide the pattern around to every possible position on the guitar.
Part 2. Use the preparatory pattern for two strings.
Revisit Finger Murder Part 3
using this new pattern.
①① ①!① ①② ①!② ①③ ①④ ①!④ !①① !①!① !①② !①!② !①③ !①④ !①!④②① ②!① ②② ②!② ②③ ②④ ②!④
e-5---5----5----5---5----5---5----4----4-----4----4----4----4----4---6----6----6--—6----6---6----6--
b---5---4----6----7---7----8---9----5----4-----6----7----7----8----9---5----4----6—--7----7---8----9
③① ③!① ③② ③!② ③③ ③④ ③!④ ④① ④!① ④② ④!② ④③ ④④ ④!④ !④① !④!① !④② !④!② !④③ !④④ !④!④
e-7---7----7----7---7----7---7----8----8---8----8----8---8---8-----9----9----9----9----9----9----9--
e---5---4----6----7---7----8---9----5----4---6----7----7---8---9-----5----4----6----7----7----8----9
Then, switch strings
①① ①!① ①② ①!② ①③ ①④ ①!④ !①① !①!① !①② !①!② !①③ !①④ !①!④②① ②!① ②② ②!② ②③ ②④ ②!④
e-5---5----5----5---5----5---5----4----4-----4----4----4----4----4---6----6----6--—6----6---6----6--
b---5---4----6----7---7----8---9----5----4-----6----7----7----8----9---5----4----6—--7----7---8----9
③① ③!① ③② ③!② ③③ ③④ ③!④ ④① ④!① ④② ④!② ④③ ④④ ④!④ !④① !④!① !④② !④!② !④③ !④④ !④!④
e-7---7----7----7---7----7---7----8----8---8----8----8---8---8-----9----9----9----9----9----9----9--
b---5---4----6----7---7----8---9----5----4---6----7----7---8---9-----5----4----6----7----7----8----9
Explore picking patterns | down up | up down | down down | up up |.
Repeat for all string
combinations, including multiple string skips, in all positions. Strings:
1st2nd|1st3 rd|1st4th|1st5 th|1st6th|2nd3rd|2nd4th|2nd5th|2nd6th|3rd4 th|3rd5th|3rd 6th|4th5th|4th6th|5th6th
Slide the patterns around to every possible position on the guitar.
Part 3. Practice the three-string finger pattern on a single string.
This exercise uses the long
pattern found at the beginning of the file.
As a warm-up to become familiar
with the pattern, play the exercise on a single string.
Tablature below is the first
few notes start of line 3 of pattern starting on the
1st string, 5th fret, finger with finger numbers above.
e-------5-6-8---5-6-9-----5-7-8----5-7-9------5-7-5--5-7-4------5-7-6---5-7-7 -(Continue
pattern from top of page)
Leave the left hand in fifth position for “!” stretches and stretch fingers.
Performing
the exercise on one string can seem inefficient and awkward at first because
the exercise is designed for multiple strings.
Many
of the combinations would never be used in actual music, but do not substitute
more efficient patterns because the point of the
exercise
is to explore all possible patterns of
the position so that the player can play literally any combination.
Line
1 of the pattern is difficult to grasp because of all the first and second-string
stretches, so try starting on line 3 and wrapping around.
Part 4. Apply to a three-string pattern.
Once the basic picking pattern
is comfortable, apply the technique to a three-string pattern.
e-------5-------5---------5--------5----------5------5----------5-------5---- (Continue
pattern from top of page.)
b---------6-------6---------7--------7----------7------7----------7-------7--
g-----------8-------9---------8--------9----------5------4----------6-------7
Slide around to every possible position on guitar and use a metronome. Start
very slowly.
Part 5. Change the string order.
Then, explore the pattern using different string
orders. Possible orders for strings 1-3 are:
123 (shown above) 132 213 231 312 321
Tablature for the “132” order would include:
Finger
e-------5-------5---------5--------5----------5------5----------5-------5----
b-----------8-------9---------8--------9----------5------4----------6-------7
(Continue pattern from top of page.)
g---------6-------6---------7--------7----------7------7----------7-------7--
Slide around to every possible position on guitar. Use a metronome.
Part 6. Apply to other string combinations.
Then, explore the pattern using different string
combinations. Possible combinations are:
|1st 2nd 4th|1st 2nd 5th|1st
2nd 6th|1st 3rd 4th|1st 3rd 5th|1st 3rd 6th|
|1st 4th 5th|1st 4th
6th|1st 5th 6th|2nd 3rd 4th|2nd 3rd 5th|2nd 3rd 6th|
|2nd 4th 5th|2nd 4th
6th|2nd 5th 6th|3rd 4th 5th|3rd 4th 6th|3rd 5th 6th|4th 5th 6th|
So, |1st 2nd 4th| includes:
e-------5-------5---------5--------5----------5------5----------5-------5----
b---------6-------6---------7--------7----------7------7----------7-------7--
(Continue pattern from top of page.)
g----------------------------------------------------------------------------
d-----------8-------9---------8--------9----------5------4----------6-------7
Make sure to explore differing string orders in these combinations.
Part 7. Apply different picking patterns.
Then, explore the exercise using different
picking patterns. Possible picking patterns include:
ddd, ddu, dud,
duu, udd, udu, uud, uuu
(d-downstroke
u-upstroke)
The “uud” pattern would include:
Pick u u d
u u d u u d u u d u u d u u d u u d u u d
e-------5-------5---------5--------5----------5------5----------5-------5----
b---------6-------6---------7--------7----------7------7----------7-------7--
(Continue pattern from top of page.)
g-----------8-------9---------8--------9----------5------4----------6-------7
Part 8. Explore More Multiple String Note Patterns
Tables for similar exercises on four strings, five strings, and six strings.
With 9,572,472 patterns available, a
comprehensive performance of all combinations is probably humanly impossible.
Choose patterns from the tables and apply the
techniques gleaned from the three note patterns to work four, five, and six
note patterns.
Explore sting combinations, string orders, and
picking patterns, also included in the files.
Work out other patterns that have repeated strings and notes. The permutations with repeated strings and notes are funtionally infinite. |
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